FRIDAY, NOVEMBER 28TH @ Le Monde - 8pm - $20 / PWYC - All Ages
V.VECKER (bandcamp)
Vancouver saxophonist & electronics artist V.Vecker creates meditation ambient dronescapes. He collects glassy saxophone breathes, slowly letting them stack, loop and blur into each other. Their refracted sound becomes a world of rhythmic wave patterns full of spectral swells and fading crashes. Rumbling bass notes bob in the background as eerie horn gestures mingle with wispy synth clouds. Ominous brooding electronic pulses feel ethereal yet menacing in this haunted world. V.Vecker holds the essence of ancient mechanical & the mutated organic in his music with uncomfortable balance. Minimalistic horn drone that is more than the sum of its parts. He returns to Toronto on tour behind his newest release "Heavy Gestures"
KHÔRA & COLIN FISHER (Khôra bandcamp / Colin Fisher bandcamp)
Experimental electronic musician Khôra teams up with multi instrumentalist & Le Monde impresario Colin Fisher for a special duo set. Khôra builds complex webs of electro-acoustic rhythms annotated with mutating sonic tidbits swaying in the aural ether. His music is an immersive organic meditation on electronic sound. Fisher occupies an equally hybridized organic electronic sound world born of effected guitar tones, wispy notes, and avant jazz inspired flourishes half coated in distortion. Colin's formidable skill on the sax lets him switch modes, but still hold a balance between languid flowing passages and powerful free jazz rippers. Two of Toronto's gems gets forged together for a duo we can only hope will be lasting!
CALEB KLAGER (youtube)
Bassist and electronic artist, Caleb Klager (Dastgâmachine) opens the night with a solo modular synth set. Combining his love for deep bass and electronic beat music with improvisational tendencies Klager builds active soundscapes that ripple and shake like the inside of some unholy modem. Dubbed out glitched notes bounce off into the distance as the celestial hum keeps everything flowing. Get into the zone.
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Vancouver saxophonist & electronics artist V.Vecker creates meditation ambient dronescapes. He collects glassy saxophone breathes, slowly letting them stack, loop and blur into each other. Their refracted sound becomes a world of rhythmic wave patterns full of spectral swells and fading crashes. Rumbling bass notes bob in the background as eerie horn gestures mingle with wispy synth clouds. Ominous brooding electronic pulses feel ethereal yet menacing in this haunted world. V.Vecker holds the essence of ancient mechanical & the mutated organic in his music with uncomfortable balance. Minimalistic horn drone that is more than the sum of its parts. He returns to Toronto on tour behind his newest release "Heavy Gestures"
KHÔRA & COLIN FISHER (Khôra bandcamp / Colin Fisher bandcamp)
Experimental electronic musician Khôra teams up with multi instrumentalist & Le Monde impresario Colin Fisher for a special duo set. Khôra builds complex webs of electro-acoustic rhythms annotated with mutating sonic tidbits swaying in the aural ether. His music is an immersive organic meditation on electronic sound. Fisher occupies an equally hybridized organic electronic sound world born of effected guitar tones, wispy notes, and avant jazz inspired flourishes half coated in distortion. Colin's formidable skill on the sax lets him switch modes, but still hold a balance between languid flowing passages and powerful free jazz rippers. Two of Toronto's gems gets forged together for a duo we can only hope will be lasting!
CALEB KLAGER (youtube)
Bassist and electronic artist, Caleb Klager (Dastgâmachine) opens the night with a solo modular synth set. Combining his love for deep bass and electronic beat music with improvisational tendencies Klager builds active soundscapes that ripple and shake like the inside of some unholy modem. Dubbed out glitched notes bounce off into the distance as the celestial hum keeps everything flowing. Get into the zone.
SATURDAY, DECEMBER 13TH @ East End Church (310 Danforth Ave) - 6pm - $35 - $45 - All Ages
In the tumult of this world, there is one constant; people need each other. Every motion brushes against another. We are forever intertwined in a collective dance, none of us are siloed or still.
The eclectic works of Beverly Glenn-Copeland and special guest Elizabeth Glenn-Copeland root deeply into these truths. Glenn; the Philadelphia-born singer, songwriter and composer, and Elizabeth; the Canadian-born author, theatre artist and educator have been creative collaborators for more than four decades. Drawing a myriad of musical practices toward a single, luminous conviction: that music can shake us loose from the disconnect that closes us off from one another.
Their multifaceted body of work surrenders to the beauty, pain and great capacity for healing that courses through life in all its forms. In its unguarded sincerity, their work invites you to share in its courage. To imagine a new world of community and connection.
Glenn’s latest album, The One Ahead — his first collection of new music in nearly two decades — deepens these explorations, casting searching light into how all of us must dissolve the harms of this world and carry each other forward into the next. It has a funky, energetic sound. There are songs about love, past and present: “Prince Caspian’s Dream” revisits a love from half a century ago, and “Harbour” expresses Glenn’s gratitude to Elizabeth for the care that sustains him. It's another high point in a career that has defied categorisation and included collaborations with world-renown artists like Bon Iver and Sam Smith.
Elizabeth’s creative works have evolved at the intersection of arts and activism. Her early years saw her touring with Second City, and performing as the ‘Witch’ in Hansel and Gretl with the Honolulu Symphony. Her seminal book, Jazz: Nature’s Improvisation was shortlisted for a ReLit Award, and her book of eco-poetry, Daring to Hope at the Cliff’s Edge evolved out of a year-long residency at the Joggins Fossil Institute: a UNESCO world heritage site on the mighty Bay of Fundy.
Together, in this new interactive and heartwarming performance Glenn and Elizabeth invite us into their extraordinary artistic landscape through an evening of song, community and shared joy. Where the music reminds us of our collective power and strength, and gives us nourishment to carry on, together.
Masking is strongly recommended
TICKETS
The eclectic works of Beverly Glenn-Copeland and special guest Elizabeth Glenn-Copeland root deeply into these truths. Glenn; the Philadelphia-born singer, songwriter and composer, and Elizabeth; the Canadian-born author, theatre artist and educator have been creative collaborators for more than four decades. Drawing a myriad of musical practices toward a single, luminous conviction: that music can shake us loose from the disconnect that closes us off from one another.
Their multifaceted body of work surrenders to the beauty, pain and great capacity for healing that courses through life in all its forms. In its unguarded sincerity, their work invites you to share in its courage. To imagine a new world of community and connection.
Glenn’s latest album, The One Ahead — his first collection of new music in nearly two decades — deepens these explorations, casting searching light into how all of us must dissolve the harms of this world and carry each other forward into the next. It has a funky, energetic sound. There are songs about love, past and present: “Prince Caspian’s Dream” revisits a love from half a century ago, and “Harbour” expresses Glenn’s gratitude to Elizabeth for the care that sustains him. It's another high point in a career that has defied categorisation and included collaborations with world-renown artists like Bon Iver and Sam Smith.
Elizabeth’s creative works have evolved at the intersection of arts and activism. Her early years saw her touring with Second City, and performing as the ‘Witch’ in Hansel and Gretl with the Honolulu Symphony. Her seminal book, Jazz: Nature’s Improvisation was shortlisted for a ReLit Award, and her book of eco-poetry, Daring to Hope at the Cliff’s Edge evolved out of a year-long residency at the Joggins Fossil Institute: a UNESCO world heritage site on the mighty Bay of Fundy.
Together, in this new interactive and heartwarming performance Glenn and Elizabeth invite us into their extraordinary artistic landscape through an evening of song, community and shared joy. Where the music reminds us of our collective power and strength, and gives us nourishment to carry on, together.
Masking is strongly recommended
TICKETS
Upcoming Shows:
more in 2026!
